Pan (ebok) av Knut Hamsun
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Knut Hamsun

Pan ebok

229,-
(1)
First published in 1894, Knut Hamsun’s Pan is former lieutenant Thomas Glahn’s retrospective narrative of his life and adventures in the Norwegian woods. A man of fascinating complexity, Glahn is in some respects a modern successor to a long line of «superfluous» men in western literature, an heir to Goethe’s Werther and the protagonists of Turgenev and Dostoyevsky. But this portrait of a man rej…
First published in 1894, Knut Hamsun’s Pan is former lieutenant Thomas Glahn’s retrospective narrative of his life and adventures in the Norwegian woods. A man of fascinating complexity, Glahn is in some respects a modern successor to a long line of «superfluous» men in western literature, an heir to Goethe’s Werther and the protagonists of Turgenev and Dostoyevsky. But this portrait of a man rejecting the claims of bourgeois society for a Rousseauian embrace of Nature and Eros explores the veiled mysteries of the unconscious by means of thoroughly modern techniques. Pan’s quasi-musical modulations of pace and rhythm, its haunting use of leitmotifs which contract and distend time, its startling versions of myth and legend, and its ecstatic evocations of nature in its various phases and moods, all attest to the novel’s Modernist innovations.
Ebok 229,-
Lydbok 262,-

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Forfattere Knut Hamsun (forfatter)
Forlag Gyldendal
Utgitt 25.03.2011
Lengde 241 sider
Sjanger Skjønnlitteratur, Romaner
Språk Bokmål
Format epub
DRM-beskyttelse Vannmerket
ISBN 9788205417182

First published in 1894, Knut Hamsun’s Pan is former lieutenant Thomas Glahn’s retrospective narrative of his life and adventures in the Norwegian woods. A man of fascinating complexity, Glahn is in some respects a modern successor to a long line of «superfluous» men in western literature, an heir to Goethe’s Werther and the protagonists of Turgenev and Dostoyevsky. But this portrait of a man rejecting the claims of bourgeois society for a Rousseauian embrace of Nature and Eros explores the veiled mysteries of the unconscious by means of thoroughly modern techniques. Pan’s quasi-musical modulations of pace and rhythm, its haunting use of leitmotifs which contract and distend time, its startling versions of myth and legend, and its ecstatic evocations of nature in its various phases and moods, all attest to the novel’s Modernist innovations.

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