The Starved (ebok) av Mangalu Charan Biswal
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Mangalu Charan Biswal

The Starved ebok

156,-
A layered portraiture of Dalit oppression and ruthless hierarchies in 1980s OdishaSet against the bucolic landscape of undivided Sambalpur, the play follows five Bajnias - professional rural folk performers - whose lives are pushed into a corner by poverty, social discrimination, addiction and illiteracy. Believed to be conduits connecting ordinary people to the divine, the musicians echo the voi…
A layered portraiture of Dalit oppression and ruthless hierarchies in 1980s OdishaSet against the bucolic landscape of undivided Sambalpur, the play follows five Bajnias - professional rural folk performers - whose lives are pushed into a corner by poverty, social discrimination, addiction and illiteracy. Believed to be conduits connecting ordinary people to the divine, the musicians echo the voices of the gods through the rhythmic play of their instruments. But the decline in folk music and drying farmlands soon become a persistent reality, and the circumstances of those on the fringes devolve from diffi cult to dire. Mangalu Charan Biswal's play highlights both the insidious and immediate violence of generational enslavement and casteism, and the wilting landscape of folk art and music. A tale of crippling deprivation and staggering optimism, this revolutionary work of Sambalpuri literature inspects the longevity of hope in the face of adversity and casts a steely gaze on the institutional betrayal of the underprivileged in the country.

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Forfattere Mangalu Charan Biswal (forfatter), Nirjharini Tripathy (oversetter)
Utgitt 20.06.2023
Sjanger Skjønnlitteratur, Lyrikk og dramatikk
Språk English
Format epub
DRM-beskyttelse LCP
ISBN 9789393701800

A layered portraiture of Dalit oppression and ruthless hierarchies in 1980s Odisha

Set against the bucolic landscape of undivided Sambalpur, the play follows five Bajnias - professional rural folk performers - whose lives are pushed into a corner by poverty, social discrimination, addiction and illiteracy. Believed to be conduits connecting ordinary people to the divine, the musicians echo the voices of the gods through the rhythmic play of their instruments. But the decline in folk music and drying farmlands soon become a persistent reality, and the circumstances of those on the fringes devolve from diffi cult to dire.

Mangalu Charan Biswal's play highlights both the insidious and immediate violence of generational enslavement and casteism, and the wilting landscape of folk art and music. A tale of crippling deprivation and staggering optimism, this revolutionary work of Sambalpuri literature inspects the longevity of hope in the face of adversity and casts a steely gaze on the institutional betrayal of the underprivileged in the country.

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