Kate Mosse
(forfatter)
The Taxidermist's Daughter ebok
130,-
The enthralling new Sunday Times bestselling gothic novel from the author of THE WINTER GHOSTS, LABYRINTH and THE CITY OF LIESThe clock strikes twelve. Beneath the wind and the remorseless tolling of the bell, no one can hear the scream . . .1912. A Sussex churchyard. Villagers gather on the night when the ghosts of those who will not survive the coming year are thought to walk. And in the shadow…
The enthralling new Sunday Times bestselling gothic novel from the author of THE WINTER GHOSTS, LABYRINTH and THE CITY OF LIESThe clock strikes twelve. Beneath the wind and the remorseless tolling of the bell, no one can hear the scream . . .1912. A Sussex churchyard. Villagers gather on the night when the ghosts of those who will not survive the coming year are thought to walk. And in the shadows, a woman lies dead. As the flood waters rise, Connie Gifford is marooned in a decaying house with her increasingly tormented father. He drinks to escape the past, but an accident has robbed her of her most significant childhood memories. Until the disturbance at the church awakens fragments of those vanished years . . .
Undertittel
A Richard and Judy bestseller
Forlag
Phoenix
Utgitt
11.09.2014
Sjanger
Språk
English
Format
epub
DRM-beskyttelse
LCP
ISBN
9781409153788
The enthralling new Sunday Times bestselling gothic novel from the author of THE WINTER GHOSTS, LABYRINTH and THE CITY OF LIES
The clock strikes twelve. Beneath the wind and the remorseless tolling of the bell, no one can hear the scream . . .
1912. A Sussex churchyard. Villagers gather on the night when the ghosts of those who will not survive the coming year are thought to walk. And in the shadows, a woman lies dead.
As the flood waters rise, Connie Gifford is marooned in a decaying house with her increasingly tormented father. He drinks to escape the past, but an accident has robbed her of her most significant childhood memories. Until the disturbance at the church awakens fragments of those vanished years . . .
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