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The Cross-Eyed Bear Murders (Murder Room) ebok
39,-
Alone in New York City, Lizanne Steffasson comes face to face with reality when her dream of acting on Broadway collapses.Now she just needs to pay her rent. So she answers an unusual ad in the paper, for 'a beautiful girl. One not afraid to look on danger's bright face'.Lizanne is neither beautiful nor fearless, yet she is certainly about to look danger in the face. A New York estate lawyer wants her help to track down a young man who has vanished into the wilds of the city on the eve of inher…
Forlag
The Murder Room
Utgitt
11 desember 2016
Sjanger
Krim
Serie
Murder Room
Språk
English
Format
epub
DRM-beskyttelse
LCP
ISBN
9781471917264
Alone in New York City, Lizanne Steffasson comes face to face with reality when her dream of acting on Broadway collapses.
Now she just needs to pay her rent. So she answers an unusual ad in the paper, for 'a beautiful girl. One not afraid to look on danger's bright face'.
Lizanne is neither beautiful nor fearless, yet she is certainly about to look danger in the face. A New York estate lawyer wants her help to track down a young man who has vanished into the wilds of the city on the eve of inheriting a vast sum of money from his billionaire late father, a Swedish man known as the Cross-Eyed Bear.
It turns out that Lizanne is the perfect person for the job, as she knows more about the story than her employer has bargained for . . .
Now she just needs to pay her rent. So she answers an unusual ad in the paper, for 'a beautiful girl. One not afraid to look on danger's bright face'.
Lizanne is neither beautiful nor fearless, yet she is certainly about to look danger in the face. A New York estate lawyer wants her help to track down a young man who has vanished into the wilds of the city on the eve of inheriting a vast sum of money from his billionaire late father, a Swedish man known as the Cross-Eyed Bear.
It turns out that Lizanne is the perfect person for the job, as she knows more about the story than her employer has bargained for . . .