Vi har dessverre ikke tillatelse til å selge boken til deg i landet du befinner deg i nå.

Hilary Roberts

The Camera at War ebok

473,-

It is said that the first casualty of war is truth. But in the arena of war photography, the truth is never simple.Drawing on an incredible range of imagery from the Imperial War Museum's vast collection and other major archives around the globe, expert curator Hilary Roberts presents a new perspective on the role of image manipulation in this field over the past 170 years,exploring the consequences for our understanding of historic and contemporary conflicts.From the staged scenes and hand-coloured Daguerreotypes of the Crimean War at the very beginning of conflict photography to the AI-generated protest and propaganda imagery of today, Roberts explores the myriad ways in which layers of meaning can be added, erased or changed completely. As The Camera at War so powerfully reveals, sometimes this has been done in order to present a closer approximation of the truth, and sometimes for the causes of national morale, subterfuge and control of the winning narrative.

Kan leses i våre gratis apper for iPhone/iPad og Android og i webleser for Mac/PC Kan leses i iBooks, på PC, Kindle og PocketBook

Andre har også kjøpt

Månedens forfatter

299,-

Tvilen

Jørn Lier Horst Ebok

449,-

Nærmeste nabo

Helene Flood Ebok

109,-

Skinndød

Thomas Enger Ebok

Premium

Medlemskupp kun 79,-

149,-

Skriket

Jørn Lier Horst Ebok

289,-

Yesteryear

Caro Claire Burke Ebok

Undertittel 170 years of weaponizing photography

Forfattere Hilary Roberts (forfatter)

Forlag Ilex Press

Utgitt 01.01.2025

Sjanger

Språk English

Format epub

DRM-beskyttelse LCP

ISBN 9781781579664

It is said that the first casualty of war is truth. But in the arena of war photography, the truth is never simple.

Drawing on an incredible range of imagery from the Imperial War Museum's vast collection and other major archives around the globe, expert curator Hilary Roberts presents a new perspective on the role of image manipulation in this field over the past 170 years,exploring the consequences for our understanding of historic and contemporary conflicts.

From the staged scenes and hand-coloured Daguerreotypes of the Crimean War at the very beginning of conflict photography to the AI-generated protest and propaganda imagery of today, Roberts explores the myriad ways in which layers of meaning can be added, erased or changed completely. As The Camera at War so powerfully reveals, sometimes this has been done in order to present a closer approximation of the truth, and sometimes for the causes of national morale, subterfuge and control of the winning narrative.

Ingen vurderinger ennå